Color Trends for 2012

Colors are brighter and more optimistic.  The resignation of consumers is that, “We’re stuck in this recession conundrum for who knows how long, so let’s at least brighten our lives with some feel-good colors.”

There will be more pairings of traditional decor with exciting colors that add a dash of unexpected fun, freedom, and happiness.  Technology will permit an expansion of our color experience with new techniques for layering and texturing.

Neutrals have more personality, sending an open invitation to lots of color and pattern pops.  Blue and greens area oriented toward natural landscapes…skies, mountains, lakes, forests.

Blue also is a deep spiritual blue, which has global appeal and a Made-In-America feel.

Green is going in two directions: a deep herbaceous green that is nature’s neutral, and a ’70s retro-green–both bright, healing and clean.

Red will have a vintage influence that resonates in many cultures.

Pink is seen as a grown-up hue that works in menswear as well as home interiors.

Orange is a high-energy color that bridges the red-orange gap.  It’s a free-spirited accent color.

Yellow trends toward a lighter chameleon color with a green cast.

Purple possesses both masculine and feminine appeal and bridges the markets from youth to luxury goods.  Boyz-n-Berry is Color Marketing Group’s Color of the Year.

Brown is a weathered, yellowed brown that’s classic and comforting.  Visualize worn saddles and boots.

Gray also has two directions: a soft, complex neutral gray, and a deep mineral, industrial gray with depth and personality.

 

This is the first of four sidebars in this article by Jill Sands, CMG, author of “The Trend Forecaster” newsletter.

 

 

 

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Pratt & Lambert 2012 color & Style Trends

It is said that to know the future, we must look to the past.  Our world holds traces of styles, interests and emotions that have been shaping the the modern atmosphere, providing clues to future trends.  Art imitates life, and trends reflect the pulse of society. And how we live today–surrounded by technology and embracing spirituality, building firm foundations  on remembered moments, expressing ourselves with primitive passion and ethereal delight. The trend team at Pratt and Lambert uses this backward-looking, forward thinking approach to develop five palettes for 2012 under the theme of Trace.

echo-

First TrendToday, more than ever before, people are heading toward the future to the beat of the past. Comfort comes from the echoes of the past.  And as we look back , we see the colors and the patterns of the great American childhood.  So, this trend includes circus brights and  summer vacation skies, log cabin brown and the green of a putt-putt golf course.  It makes you want to come out and play.

Colors-Montana Sky(25-9),Pale Cornelion(7-13),Cirrus(7-1),Our Classic(4-13),Basic Brown(10-18),Frog Belly(20-27)

 

 

enough-

Second TrendFinally, our dependence on technology has met its match in our desire for simplicity.  This paradox is brought to light in a trend that sees the clean, uncomplicated colors and lines of old-school technology entering today’s state-of-the-art homes.  Strong neutrals that are timeless.  Bold accents that awaken the  walls and the memory.  It’s our way of hitting “backspace” on fast track tech.

Colors-Half-tone(29-25),Orange Spice(8-16),Gettysburg(29-20),Lambswool(11-30),Spinach(20-20),Corsicon(28-13)

 

 

essence-

Secularism and neutrality are eating a void, and we are filling it with a renewed focus on spirituality and the search for balance and truth.  This trend is reflected in ethereal hues from the skies and sea, grounded with dark, rich colors from the earth.  The light and shadow of this palette almost shimmer and the effect is at once aged and ageless.

Colors-Black Plum(31-18),Lucina(31-25),FInesse(4-30),Hearthstone(28-27),Siam Blue(23-12),Woodland Snow(24-31),Sparkling Wine(15-3)

expressive

The passion for self-expression has never died down for long, and the current trend is generations deep.  You’ll see it in the fashions and patterns from the 1930′s, restyled for today. Pop art colors from the ’70s remained.  The rich, vibrant hues and bright florals are as bold as the feminist and as adamant as an independent thinker Velvet Night from any era.

Colors-Velvet Night(31-21),Burnished Gold(11-13),Amethyst Phlox(31-7),Buttery(14-5),EucalyptusLeaf(23-20),Cerise Delight(2-14),Twilight Chimes(28-4)

instinctive

5th trendThis exciting trend is environmentalism at its most unprocessed.  Colors are pungent with primal energy.  Rich hues from the forest canopy to the fertile soil coexist in creative harmony, and form a protective camouflage.  For a moment, ecology meets mystery, past meets future, animal meets mineral…then it all melts back into the primordial mist.

Colors-Dark Teal(21-16), Peridot(18-20),Cafe Cubana(7-25),Leaf Sprout(16-11),Garnet(32-14),Dusty Mink(2-24)

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The Making of Linen Yarn

In the last issue of inspired.news I wrote about the history of linen, and I received many emails asking how the flax plant is actually made into fabric. Because of your interest and questions, I have decided to follow up with more information about linen.

Linen is a textile made from the fibers of the flax plant, “Linum usitatissimum,” which is the Latin botanical name of the plant. Flax blooms in groups of bluish, navy blue, and occasionally in violet, rosy and white flowers. Each flower blooms for only a few hours. It opens up at dawn and closes and falls off at around noon when the heat sets in. The flax plant is not difficult to grow but it flourishes best in cool, humid climates and within moist, well plowed soil. Flax can only be grown on the same field twice before signs of “flax fatigue” begin to show. It will be another seven years before flax can be cultivated again on the same field.

The quality of the finished linen product is dependent on the growing conditions and harvesting techniques. Linen yarn is spun from the long fibers behind the bark of the plant stem. These fibers vary in length from 2 to 36 inches. The process of separating the flax fibers from the plant is a labor intensive and painstaking process. In order to retrieve the fibers from the plant, the woody stem and the pectin, or gum, which bonds the fibers together in a clump must be rotted away. To produce the longest possible fibers, flax is either hand-harvested by pulling up the entire plant or stalks are cut very close to the root. After harvesting, the seeds are removed through a mechanized process called “rippling.” The fibers must then be loosened from the stalk. This is achieved through retting. This process uses bacteria to decompose the pectin that binds the fibers together. Natural retting methods take place in tanks and pools or directly in the fields. In addition, there are chemical retting methods that are faster but more harmful to the environment and to the fibers themselves. After retting, the stalks are ready for scutching. This process removes the woody portion of the stalks by crushing them between two metal rollers, so the different parts of the stalk can be separated. The fibers are set aside for other uses. The short fibers are then separated by hackling or combing them away to leave behind the long, soft flax fibers. After the fibers have been separated and processed, they are typically spun into yarns and woven or knit into textiles. Linen’s natural off white color ranges between shades of ivory, ecru, tan and grey. Pure white linen is created by heavy bleaching.

It amazes me that thousands of years ago someone had the idea to take something from nature’s beauty growing in the fields, break it down and then weave it into one of the most luxurious fabrics that to this day remains in demand for homes all over the world.

Courtesy of: Alice Guercio, Vice President of Product Coordination and a Kravet veteran for more than 15 years, travels the world to source and develop new product for Kravet. She is one of our top experts on textiles. If you have a question about fabric for Alice, email her at askalice@kravet.com and your question may become the subject of a future article.

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